The Devil Wears Prada 2: Anne Hathaway and Meryl Streep Reunite and a Vintage Coach Bag Is Already Stealing the Spotlight

The Devil Wears Prada 2:

Anne Hathaway and Meryl Streep Reunite and a Vintage Coach Bag Is Already Stealing the Spotlight

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Nearly two decades after The Devil Wears Prada became a cultural phenomenon, Anne Hathaway has officially returned to set as Andy Sachs and she’s bringing both nostalgia and high fashion back with her. Filming for the hotly anticipated sequel is underway in New York, reuniting Hathaway with Meryl Streep’s formidable Miranda Priestly, and already, one detail has fans and fashion insiders buzzing: a vintage Coach Metropolitan Briefcase that could become 2026’s most coveted “It” bag.

The Iconic Duo Returns: Hathaway and Streep Back in Action

It’s been 19 years since The Devil Wears Prada (2006) cemented itself as both a box-office hit and a sartorial bible, led by Anne Hathaway’s portrayal of wide-eyed journalist-turned-fashion assistant Andy Sachs, and Meryl Streep’s Oscar-nominated turn as Miranda Priestly, the icy editor-in-chief modeled on real-world fashion titans. Now, Hathaway and Streep are stepping back into their iconic roles under the direction of David Frankel, with the script penned once again by Aline Brosh McKenna.

Entertainment Weekly confirms that filming began June 30, 2025, in New York City, with additional European locations teased – Italy, in particular, is rumored to feature prominently in the storyline. The sequel, scheduled for release on May 1, 2026, promises to explore the shifting power dynamics of media and fashion in the digital age, while revisiting the beloved mentor-protégé tension between Andy and Miranda.

“Seeing Anne and Meryl together again feels like lightning in a bottle,” producer Wendy Finerman told Variety. “They’ve still got that spark – the mix of wit, tension, and heart that made the first film unforgettable.”

A Fashion Moment Before the Premiere: The Coach Metropolitan Briefcase

While cameras have only just started rolling, a single paparazzi shot has already sent the fashion world into overdrive. In photos published by Page Six, Hathaway was spotted on set in a sharply tailored pinstripe vest-and-trouser ensemble, accessorized with a black archival Coach Metropolitan Briefcase – a sleek, structured design from the 2000s that perfectly channels Andy Sachs’ “elevated professional” aesthetic.

Coach confirmed to WWD that the bag is a piece pulled from its archives, fueling speculation that the film may ignite a full-blown revival of early-2000s luxury accessories. Fashion analysts are already calling it “the next Carrie Bradshaw baguette effect,” predicting resale market spikes and waitlists once the movie’s marketing campaign begins.

For longtime fans of the franchise, the accessory is more than just a bag: it’s emblematic of Andy’s evolution from reluctant assistant to confident insider. “That bag tells a story,” stylist Tiffany Reid noted in Harper’s Bazaar. “It’s practical yet polished, much like Andy herself – and it’s exactly the kind of detail that turns a film costume into a cultural trend.”

Confirmed Cast and Plot Details

Beyond Hathaway and Streep’s high-profile reunion, The Devil Wears Prada 2 boasts a stacked cast:

• Emily Blunt reprises her beloved role as Emily Charlton, Miranda’s razor-sharp first assistant.

• Stanley Tucci is back as Nigel Kipling, Runway’s unflappable fashion director.

• Tracie Thoms returns as Lily, Andy’s outspoken best friend.

• New faces include Simone Ashley (Bridgerton), Lucy Liu, Justin Theroux, B.J. Novak, Pauline Chalamet, and Kenneth Branagh as Miranda Priestly’s husband – his addition hinting at more of Miranda’s private life being explored this time around.

Plot specifics remain under wraps, but insiders suggest Andy, now an accomplished journalist, is drawn back into Miranda’s orbit when Runway faces an existential threat in the age of TikTok influencers and AI-driven fashion media. This modern twist not only updates the stakes but also resonates with how drastically the industry has evolved since 2006.

A Legacy That Defined Fashion Cinema

When The Devil Wears Prada first premiered, it didn’t just rake in $326 million worldwide – it reshaped the way Hollywood portrayed fashion. Its impact still echoes: countless designers have cited it as a recruitment tool, and its lines (“That’s all”) remain pop-culture shorthand for chic authority.

Anne Hathaway herself acknowledged the nostalgia factor in a recent Vogue interview: “Andy is part of me. Revisiting her almost 20 years later feels surreal, but also exciting. She’s older, wiser – but still chasing her truth in a world that’s only gotten more complicated.”

For Meryl Streep, the sequel is equally intriguing: “Miranda has always been more than just a villain,” she teased cryptically. “This time, audiences might see new layers – but don’t expect her to soften too much. She’s still Miranda.”

The Intersection of Film and Fashion

The original film sparked an unprecedented collaboration between Hollywood and luxury fashion houses, with Prada, Chanel, and Valentino lending runway looks to costume designer Patricia Field. For the sequel, Field is joined by designer Molly Rogers, ensuring that the film will once again double as a cinematic runway.

Industry insiders hint at even bolder fashion moments this time, blending archival luxury (like the Coach briefcase) with contemporary brands that dominate today’s social feeds. “Expect old-school glamour colliding with Gen Z aesthetics,” Rogers hinted during a press event.

Anticipation Builds Ahead of May 2026

With paparazzi shots teasing wardrobe details, a powerhouse cast in place, and Anne Hathaway and Meryl Streep reprising two of the most iconic roles of their careers, The Devil Wears Prada 2 is shaping up to be both a box-office juggernaut and a fashion zeitgeist.

For fans, it’s not just a sequel it’s the return of a cinematic universe where ambition meets couture, where sharp wit and sharper tailoring reign supreme. And if early buzz around the Coach Metropolitan Briefcase is any indication, this film won’t just rule the multiplex; it’s poised to dominate wardrobes as well.

As Miranda Priestly would say: “That’s all.”

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