EMPIRE OF THE UNSEEN Mysterious. Obsessive. Inaccessible. 7 May 2026 T H E A W A K E N I N G O F A V I S I O N The world is divided between those who follow the light and those who shape it. Patrick Freiburghaus and Cyrano Devanthey did not choose to follow existing forms. They chose the middle path: that of what has no name yet. Refusal is no longer a barrier. It is a sacred way. Every constraint becomes a teacher, every challenge a trial of will. EMERA’s territory extends into an absolute visual dimension. This is no longer haute horlogerie. This is what reveals itself beneath the sand. What survives time. T H E F O U N D E R S Patrick Freiburghaus Architect of invisible forms. There are territories the eye cannot yet name. For more than two decades, his vision has traced paths where none existed, with the absolute patience of one who knows that the most powerful forms are never found. They impose themselves. EMERA is his vision made flesh. “What has no form yet already exists.” Cyrano Devanthey Guardian of living calibres. More than three decades spent in the silence of the workshops, at the heart of haute horlogerie’s most demanding complications. Discreet, absolute, uncompromising. He lets the heart of the movement speak in his place. At EMERA, he does not build a movement. He gives it life. “Every component has a will. The watchmaker’s art is knowing when to listen.” Quentin Hoerdt Sculptor of infinite light. He carries EMERA onto the digital stage with the vision of one who reinvents the codes. His mastery of photoreal rendering and creative direction extends the Maison’s territory into an absolute visual dimension, where image becomes matter and time, a surface to sculpt. “This is no longer fine watchmaking. It is what survives time.” T H E A R T E F A C T : C Y B O R G - C Y 0 6 - 1 With the CYBORG CY 06-1, EMERA extends and intensifies the expression of this universe. The organic, the mechanical, the architectural, three ancient forces, at the confluence of worlds bearing within them the memory of the dawn of time. From their inevitable union emerges the CYBORG CY 06-1. She is not a machine. She is a three-dimensional structure where movement does not breathe inside the case: it is the case. A domed sapphire shield above, two curved ones below, follow the geometry of the case and lay bare the entrails of the movement. The fourth, lateral at 6 o'clock, opens a window onto the ineffable, where the flying tourbillon completes its silent revolution, sixty seconds to govern eternity. "Form does not follow function. It submits to the law of matter." T H E L I V I N G A R M O U R The dial, an armour of 42 hand-set carbon scales, is an evolving skin. A biomimicry that captures the light of dying suns to fragment it infinitely. Around it, a bezel set with 21 white diamonds acts as a stellar guide, marking the geometry of an equilibrium that seems to defy gravity. T H E O U T E R S H E L L The strap is not an accessory. It is the organic continuation of the case, a second skin in Sidéral White rubber, sculpted with engraved chevrons evoking the scales of a creature from another world. The gold pin buckle seals the pact, that almost wild relationship between the beast and its wearer, between precious metal and flesh. T H E E Y E O F T H E S T O R M At the centre of chaos, the 60-second flying tourbillon. • 51 components. 0.35 grams. A silent heartbeat integrated into the open architecture, a mechanical singularity that dictates the passage of eras. C A L I B R E M R A 0 1 - 2 : T H E I N N E R B A L A N C E Conceived in the secret forges of the Maison, the automatic calibre MRA 01-2 does not beat, it resonates at 28,800 vibrations per hour. The grade 5 titanium plate and bridges, allied with the gold of the oscillating weight, form a system of mastered internal constraints. A fragile yet indestructible equilibrium, born from human hands in the Helvetian workshops, where time is a religion. T H E O R D E R O F F I V E Only five will ever exist. Five examples for all eternity, each bearing a unique natural variation. To possess a CYBORG is not to acquire an object. It is to enter into a direct pact with EMERA. A sacred bond including lifetime watchmaking follow-up and direct access to the Guardians of Creation, its founders and craftsmen. The price of the exception: CHF 625,000 + VAT. T H E F R O N T I E R O F W O R L D S In the immensity of Haute Horlogerie, where many settle for repeating echoes of the past, the CYBORG CY 06-1 charts a new course. It does not inscribe itself in a lineage; it founds its own Empire. EMERA transforms technical precision into a territory of wild experimentation. Here, boundaries dissolve. The piece does not seek to belong to any known category of the old world. It suggests a new one, a necessary anomaly: the perfect intersection between the pure mechanical object, the monolithic architectural structure, and the organic expression of the living. This is no longer a timepiece. It is an artefact from a future where machine and mind are one. A C C E S S T O T H E E X C E P T I O N The CYBORG CY 06-1 is not available for purchase. It is accessible through encounter. EMERA personally selects each of the five acquirers. This is not a transaction; it is a mutual recognition. A pact between the Maison and those who understand what they hold in their hands. Requests for contact should be addressed exclusively to: info@emerawatches.com T E C H N I C A L F I L E : C Y 0 6 - 1 A R C H I V E S Collection: CYBORG Reference: CY 06-1 Edition: 5 pieces Price: CHF 625,000 + VAT Warranty: International, lifetime CASE Materials: Ceramic, gold, set with 21 white diamonds (VVS clarity), total approx. 2.00 ct Crystals: 4 anti-reflective sapphires: domed curve on the upper face, two curved ones on the lower face Strap: Sidéral White rubber Clasp: Gold pin buckle Dimensions: 46.80 × 56.60 × 15.90 mm Weight: Approx. 120 g (strap included) Water resistance: 50 m MOVEMENT Type: Automatic MRA 01-2, in-house development Frequency: 28,800 vph (4 Hz) Power reserve: ~44 hours Flying tourbillon: 51 components, 0.35 g, 60-second rotation Movement materials: Grade 5 titanium, gold oscillating weight Swiss Manufacture, 100% Design, assembly, and final quality control carried out in-house; machining entrusted to established Swiss watchmaking partners. Finishing is shared between our internal workshops and carefully selected master anglage and polishing craftsmen, with every piece entirely finished by hand to an exceptional standard. P R E S S C O N T A C T press@emerawatches.com www.emerawatches.com @emerawatches Full press kit: emerawatches.com/cyborg/presskit Patricia Holdener Editor-In-Chief Luxe Magazine Switzerland

The Berlin fashion label and the iconic ice cream brand merge fashion, art and lifestyle in a playful collaboration unveiled during Basel’s international art week. As luxury brands continue to blur the boundaries between fashion, culture and experiential marketing, Berlin-based fashion label Ottolinger and Magnum have joined forces to launch a limited-edition accessories collection inspired by the pleasures of summer. Unveiled during Basel’s highly anticipated art week, the collaboration marks a new chapter in Magnum’s growing engagement with the fashion world. The capsule collection debuts with a sculptural Basket Bag inspired by Magnum’s latest flavour innovation, La Pistache. Retailing at €235, the piece combines Ottolinger’s signature deconstructed aesthetic with the soft pastel palette associated with the seasonal ice cream launch. The result is a collectible accessory that captures both brands’ playful yet elevated approach to contemporary design. The collaboration expands with a second exclusive accessory designed specifically for the Swiss market, officially revealed on June 14 during Basel Social Club, one of the most dynamic cultural gatherings taking place alongside Art Basel. Both limited-edition pieces are available exclusively through Ottolinger’s online platform while supplies last. Fashion Meets Art During Basel’s Most Anticipated Cultural Week Now in its fifth edition, Basel Social Club has established itself as a key destination during Art Basel, transforming unconventional locations into immersive environments that blend contemporary art, performance, music, gastronomy and social interaction. For 2026, the event occupies a vacant office building designed by renowned Swiss architecture firm Diener & Diener, located just steps from Basel’s central railway station. It is within this unique setting that Ottolinger and Magnum have created an immersive installation inspired by the concept of being “Out of Office.” A former office space has been reimagined into a whimsical experiential environment featuring a bubblegum-pink inflatable installation and a custom Magnum Spray Bar, where visitors can create personalised ice cream creations throughout the week. The experience reflects both brands’ shared interest in transforming everyday moments into memorable cultural encounters. Adding another layer to the visual storytelling, staff members wear Ottolinger designs alongside the collaborative accessories, whose colour palettes draw inspiration from Magnum’s new summer flavours, La Pistache and La Pêche. According to Ottolinger founders Christa Bösch and Cosima Gadient, the collection was influenced by memories of childhood summers spent in Switzerland, bringing a sense of nostalgia and playful escapism to the project. Extending the Experience Beyond Fashion The partnership extends beyond product design and installation art. Magnum is also supporting a special club night hosted by Ottolinger and House of Intuition on June 17 in a multi-level parking structure in Basel. The event will feature performances by electronic music artist Coucou Chloé alongside Basel-born talent Paxslim, as well as Lil Glee, Manuka Honey and Ayshat, reinforcing the collaboration’s connection to contemporary culture and emerging creative communities. Magnum’s Growing Presence in Fashion and Luxury Culture The Ottolinger collaboration forms part of Magnum’s broader global platform, The House of Magnum, through which the brand is increasingly positioning itself at the intersection of fashion, culture and lifestyle. Earlier this year, Magnum further signalled its ambitions in the luxury space by presenting its first-ever fashion show during the Cannes Film Festival, demonstrating how lifestyle brands are leveraging cultural relevance and creative partnerships to engage new audiences. With its latest collaboration, Magnum continues to move beyond traditional consumer marketing, embracing fashion as a vehicle for storytelling, desirability and cultural conversation while Ottolinger once again proves its ability to translate artistic experimentation into highly collectible design. Ottolinger Magnum ArtBasel BaselSocialClub LuxuryBusiness FashionBusiness BrandCollaboration LuxuryMarketing LuxuryInnovation

The French luxury group has expanded its ownership in the Italian maison, reinforcing a long-term investment strategy that began more than a decade ago. Luxury is often associated with bold product launches and high-profile fashion shows. Yet some of the industry’s most consequential decisions unfold quietly, through carefully structured transactions that reflect years of planning rather than sudden ambition. LVMH’s latest investment in Italian luxury house Loro Piana is one such example. The French luxury group has increased its ownership in Loro Piana from 85 percent to 94 percent after acquiring an additional 9 percent stake from the founding family. Valued at approximately €1 billion, the transaction was completed under contractual provisions established as part of the original agreement signed more than a decade ago. Understanding that timeline is essential to appreciating the significance of the latest development. LVMH first became the controlling shareholder of Loro Piana in 2013, acquiring an 80 percent interest for approximately €2 billion. The agreement was structured to preserve the company’s identity while providing the financial resources and international platform of the world’s largest luxury group. Subsequent adjustments to the shareholding have followed the governance framework negotiated at the time of the original acquisition. The latest equity increase therefore represents a continuation of that long-term strategy rather than a new takeover. For LVMH, strengthening its ownership provides greater strategic flexibility while maintaining continuity within one of its most distinctive Italian maisons. For the founding family, the transaction reflects an orderly evolution of ownership without altering the heritage that has defined the company for generations. Founded in 1924, Loro Piana has established its reputation through the sourcing and transformation of some of the world’s rarest natural fibres, supplying a clientele that values craftsmanship, discretion and product longevity. Its business model has historically relied less on high-profile marketing than on manufacturing expertise, textile innovation and controlled production standards. The investment also illustrates a broader characteristic of consolidation within the global luxury sector. Rather than pursuing rapid expansion, major groups increasingly focus on strengthening existing assets, securing long-term governance and protecting brands whose value lies in heritage, intellectual property and specialised know-how. Against a backdrop of slower growth across parts of the global luxury market, reinforcing ownership of established maisons may offer greater strategic resilience than pursuing new acquisitions. At the same time, the broader luxury industry continues to operate under increasing regulatory and public scrutiny regarding corporate governance, sustainability and supply-chain oversight. In Italy, several luxury companies including Loro Piana have recently faced heightened attention from authorities over labour practices involving external suppliers. While those matters concern operational compliance rather than ownership structure, they underscore the growing importance of transparency and responsible governance across the sector. The latest transaction should therefore be viewed within a wider business context. It reflects a capital allocation decision by LVMH while taking place during a period in which luxury groups are expected not only to deliver financial performance but also to demonstrate rigorous oversight throughout increasingly complex global supply chains. As the luxury industry evolves, ownership structures are becoming as strategically significant as creative direction or commercial performance. Investors are paying closer attention to governance, succession planning and long-term control of heritage brands that continue to define the industry’s highest tier. LVMH’s increased participation in Loro Piana is ultimately less about expanding a portfolio than about reinforcing an investment already made. It is another step in a long-term corporate strategy that prioritises continuity, stability and sustained value creation over headline-making transactions. In an industry where perception often moves faster than corporate reality, the most meaningful developments are frequently those that reveal how the world’s leading luxury groups prepare for the decades ahead. Patricia Holdener Editor-In-Chief Luxe Magazine Switzerland LVMH BernardArnault LoroPiana LuxuryIndustry LuxuryBusiness CorporateStrategy BusinessNews LuxuryMarket FashionBusiness ItalianLuxury Governance Investment LuxuryEconomy SupplyChain LuxeMagazineSwitzerland

Paris, France – 8 July 2026 At his highly anticipated debut on the official Paris Haute Couture Week calendar, renowned Indian couturier Manish Malhotra presents MAA, a deeply personal Fall/Winter 2026/27 couture collection that transforms the timeless bond between mother and child into an extraordinary expression of luxury, artistry and emotion. Inspired by memory, identity and legacy, MAA unfolds through four evocative chapters Cocoon, Bond, Becoming and Abundance each reflecting a stage in life’s most profound relationship. The collection captures the essence of creation through sculptural silhouettes, masterful craftsmanship and contemporary couture, offering an intimate narrative woven into every detail. The journey begins with Cocoon The Nurturing Heart, where architectural balloon shapes, enveloping volumes and protective silhouettes embody warmth, security and the earliest moments of life. Couture becomes both structure and sanctuary, expressing tenderness through refined construction. In Bond The Knots of Life, movement emerges with fluid drapery, layered textures and sculpted forms that illustrate the invisible yet unbreakable connection between mother and child. Modern couture techniques balance softness with strength, creating silhouettes that flow with effortless elegance. Becoming Finding My Voice celebrates the exceptional craftsmanship that defines the House of Manish Malhotra. Traditional Indian artisanal techniques including vintage salli embroidery, taban sequins, zardozi, resham, crystal embellishments and intricate hand embroidery are reimagined through an elevated couture perspective. Precision tailoring, architectural corsetry and fluid eveningwear come together to express the evolution of identity with remarkable sophistication. The collection culminates in Abundance – In Full Bloom, where monumental gowns, dramatic proportions and richly embellished creations pay tribute to the enduring legacy passed from one generation to the next. Strength, grace and resilience are translated into sculptural couture that celebrates both heritage and modern femininity. Throughout MAA, deeply personal references enrich the narrative. Soft blush and rose tones inspired by Manish Malhotra’s mother, floral motifs drawn from her favourite blooms and jewellery-inspired embellishments become intimate symbols of remembrance, interpreted through the highest standards of couture craftsmanship. Extending the story beyond fashion, Manish Malhotra High Jewellery introduces exceptional creations featuring monumental diamonds, extraordinary rubies, luminous kunzites, vivid rubellites and rare sapphires. Each handcrafted jewel echoes the emotional spirit of MAA, transforming precious gemstones into timeless works of art that honour motherhood in its most enduring form. “Before every creation comes the one who made us.” This powerful philosophy lies at the heart of the collection, celebrating the hands that first shaped the creators, dreamers and visionaries of today. Through MAA, Manish Malhotra offers a couture collection where memory, craftsmanship and emotion become one an unforgettable tribute to maternal love expressed through the universal language of haute couture. Founded in 2005, the House of Manish Malhotra has become a global symbol of contemporary Indian luxury, redefining couture through exceptional craftsmanship, heritage and innovation. Today, the Maison spans couture, bridal, menswear, high jewellery, fine jewellery, accessories and lifestyle, with flagship boutiques in Mumbai, Delhi, Hyderabad and Dubai. Over a remarkable 35-year career, Manish Malhotra has designed costumes for more than 800 films, received over 55 prestigious awards and continues to elevate Indian craftsmanship on the international luxury stage. Website: https://manishmalhotra.in Instagram:@manishmalhotraworld @manishmalhotrajewellery Patricia Holdener Editor-In-Chief Luxe Magazine Switzerland ParisHauteCoutureWeek HauteCouture LuxuryFashion IndianCraftsmanship CoutureFW2627 HighJewellery ParisFashion LuxuryLifestyle LuxeMagazineSwitzerland

A luminous celebration of craftsmanship, femininity, and contemporary couture at the Palais de Tokyo Paris once again became the stage for one of haute couture’s most anticipated moments as Tamara Ralph presented her Autumn/Winter 2026–2027 Haute Couture Collection at Orbe New York, Palais de Tokyo. More than a seasonal presentation, the collection marks another significant milestone in the evolution of the designer’s eponymous house, reaffirming her enduring relationship with Paris—the spiritual home of haute couture and the city where her creative vision continues to flourish. Since launching her own maison, Tamara Ralph has cultivated a distinctive couture language rooted in exceptional craftsmanship, refined femininity, and modern glamour. This latest collection reflects the growing maturity of the house while highlighting a designer increasingly confident in her artistic expression, yet deeply committed to the heritage, artistry, and savoir-faire that define true haute couture. “Returning to Paris each season is always a deeply special moment. Haute Couture is built on heritage, artistry, and the endless pursuit of beauty, and contributing to this tradition with my own house is a privilege I truly cherish. This collection feels especially meaningful as it reflects not only a new creative chapter for the house, but also the confidence that comes from continuously evolving as a designer. With every collection, I strive to honour the core values of Haute Couture while continuing to push my creative vision forward.” Tamara Ralph, Founder & Creative Director A Couture Collection Inspired by the First Light of Dawn For Autumn/Winter 2026–2027, Tamara Ralph explores the poetry of light through a sophisticated couture narrative inspired by the first glow of daybreak. Bronze dawn, champagne gold, moonlit ivory, and deep black merge effortlessly across crystal mesh, fluid silks, and sculptural lace, creating a refined dialogue between softness and architectural structure. Metallic embroidery shimmers across each silhouette like scattered rays of light, while delicate baguette diamond-inspired embellishments trace the body with the precision and elegance of fine jewellery. Every detail reinforces the maison’s dedication to meticulous craftsmanship and couture excellence. Where Architectural Elegance Meets Ethereal Femininity The collection embraces an unmistakable elegance inspired by South Asian aesthetics, expressed through elongated lines, restrained sensuality, and architectural refinement. Jewel-encrusted headpieces evoke imperial grandeur while remaining balanced by a distinctly contemporary perspective. Despite the complexity of their construction, each gown appears remarkably weightless. Transparent draping, sculpted corseted waists, and exquisitely hand-embroidered lace demonstrate the remarkable artisanal expertise that remains at the heart of haute couture. A Contemporary Interpretation of Timeless Glamour Throughout the collection, subtle references to the glamour of the 1930s emerge through bias-cut silhouettes, elegant column gowns, and the cinematic sophistication of classic eveningwear. Rather than revisiting the past, Tamara Ralph reinterprets these timeless influences with a modern sensibility. Exaggerated proportions, sharply defined corsetry, and unexpected combinations of textures create silhouettes that feel both timeless and unmistakably contemporary. The Art of Contrast Texture becomes one of the collection’s defining signatures. Rich opaque velvet contrasts with translucent tulle, crystal mesh overlays illusion fabrics, delicate floral lace meets metallic embroidery, and fluid satin introduces graceful movement. Light and shadow are treated as essential design elements throughout the collection. Dark lacquered embroidery enriches pale blush tones, while silver embellishments illuminate deep navy and black, creating striking visual depth and refined sophistication. Every silhouette emerges as a jewel in motiondramatic yet remarkably delicate capturing a rare balance between fantasy, femininity, and architectural precision. Luxe Magazine Switzerland’s Perspective With its Autumn/Winter 2026–2027 Haute Couture collection, Tamara Ralph continues to refine her unique creative identity while celebrating the enduring values of Parisian couture. Through exceptional craftsmanship, luminous detailing, and contemporary elegance, the collection reinforces the maison’s commitment to artistry and timeless sophistication, offering a compelling vision of modern haute couture for an international audience. Patricia Holdener Editor-In-Chief Luxe Magazine Switzerland TamaraRalph HauteCouture ParisFashionWeek CoutureFashion LuxuryFashion Paris FashionDesign Craftsmanship LuxuryLifestyle LuxeMagazineSchweizerland

From Maranello to the open seas, Ferrari is extending its legacy of technological excellence beyond the racetrack and into one of the world’s most demanding environments: offshore sailing. With Ferrari Hypersail, the innovative 100-foot flying monohull created to challenge the oceans, the Prancing Horse unveils a revolutionary energy management concept designed to redefine the future of ocean navigation. At the heart of this extraordinary project lies a fully autonomous energy system, engineered to achieve complete self-sufficiency through renewable sources and crew-generated power. The first fully foiling monohull developed for offshore racing, Ferrari Hypersail embodies a new generation of performance, efficiency and sustainable engineering, transferring Ferrari’s expertise in open innovation from asphalt to the world of competitive sailing. Developed by the Hypersail Tech Team in Maranello, the Energy Management system was conceived with a dual ambition: to maximise efficiency while seamlessly integrating the vessel’s multiple onboard architectures. The adoption of a fully electric solution responds to a fundamental challenge: ensuring total energy autonomy during the long-distance ocean passages the vessel will undertake. To achieve this goal, Ferrari engineers created an advanced system capable of harvesting energy from its surrounding environment with exceptional efficiency, combining solar power, wind energy and human-generated force. Above deck, movements such as sail trimming transform crew effort directly into usable electrical energy through the innovative Winch-by-Wire technology. Below deck, the systems responsible for active flight control and foil management operate through renewable energy captured during navigation, supported by high-voltage batteries designed to intelligently regulate energy flows. “Hypersail is the first foiling monohull for ocean racing to achieve complete energy autonomy,” explains Marco Guglielmo Ribigini, Technical Team Leader of Ferrari Hypersail. “Thanks to an electrical system that ensures the ideal balance between efficiency and performance, alongside innovative solutions such as Winch-by-Wire, all on-board adjustments are powered entirely by energy generated while underway.” Above Deck: Human Power Transformed Through Winch-by-Wire Technology Ferrari Hypersail reinvents the traditional winch concept with a groundbreaking technological approach: Winch-by-Wire. Instead of transferring the crew’s muscular effort through conventional mechanical transmissions and hydraulic circuits, the system instantly converts human power into electrical energy, which is centrally managed and dynamically redistributed across the boat’s sail control systems. For the grinders, this innovation delivers a decisive advantage: maintaining a constant and highly efficient cranking rhythm. In traditional architectures, increasing resistance inevitably results in slower movements and greater physical demand. Ferrari’s technology eliminates this limitation by maintaining power output at the optimum point of both electromechanical efficiency and human metabolic performance. This breakthrough enables a single crew member to manage exceptional loads of up to 9 tonnes, significantly exceeding the limitations of traditional mechanical and hydraulic systems. The electricity generated through the “e-pedestals” uses the same electric motor technology found in the active suspension systems of the Ferrari Purosangue and Ferrari F80. This energy is transferred into the onboard electrical network and distributed instantly, powering the “e-winches” responsible for sail tension control or activating the hydraulic pumps required for deck adjustments. The Winch-by-Wire philosophy reflects the same technological approach introduced with the new Ferrari 12Cilindri Manuale, where the Manuale by-wire system transforms the physical action of gear shifting into an electronic signal while preserving the authentic, analogue sensation expected from a Ferrari driving experience. Below Deck: Precision Engineering for Flight Control and Ocean Performance Beneath the deck, Ferrari Hypersail’s technological ecosystem becomes the vessel’s central nervous system, managing electronics, stability control and ride height while flying on its foils. Reliability is ensured through automotive-inspired testing processes, using advanced electronic control units (ECUs), sophisticated sensors and four different voltage levels ranging from 12V to 800V. To control the appendages, Ferrari engineers developed an active Flight Control System capable of managing hydraulic flows through two distinct operating modes: Slow Movements and Fast Movements. Slow Movements handle major adjustments of the foil arms and canting keel, powered by the 800V rear e-axle from Ferrari Luce. Fast Movements manage the rapid and continuous adjustments of the control surfaces and flaps, operated by two compact pumps driven by 48V electric motors. This separation guarantees exceptional performance, maximum energy efficiency and the redundancy required for demanding maritime conditions. The electronic and hydraulic systems rely exclusively on renewable energy through an unprecedented solar and wind harvesting architecture. Rather than being lost, excess energy is captured, stored and managed through two identical 800V batteries, ready to deliver power according to the dynamic needs of the flying monohull. Integrated into the deck and topsides, the walkable solar panels feature a specialised grip surface and cover an area of 100 square metres. Their placement is the result of advanced simulations mapping solar exposure across different latitudes and possible sailing routes, allowing Ferrari engineers to focus installation only on high-performance areas. This approach reduces unnecessary weight while optimising the vessel’s power-to-weight ratio. Wind energy is integrated at the stern through removable wind turbines, configurable according to sailing requirements. Ferrari’s engineering teams conducted detailed studies of intake angles to determine the perfect balance between maximum energy generation and minimal aerodynamic drag at high speeds, ensuring outstanding performance across a wide range of ocean environments. With Ferrari Hypersail, the Prancing Horse once again pushes the boundaries of innovation, merging sustainability, engineering excellence and uncompromising performance. A new chapter begins where Ferrari’s technological DNA leaves the road behind and takes flight across the oceans. Patrcia Holdener Editor-in-Chief Luxe Magazine Switzerland FerrariHypersail Ferrari LuxuryAutomotive OceanInnovation SustainableTechnology FutureOfMobility YachtingInnovation HighPerformanceEngineering LuxuryLifestyle LuxeMagazineSwitzerland

Olivier Rousteing Appointed Creative Director of Rabanne: Why This Is Fashion’s Most Strategic Appointment of 2026 When Rabanne confirmed the appointment of Olivier Rousteing as its new Creative Director, the fashion industry welcomed the news as one of the year’s most significant leadership changes. After fourteen years at Balmain, where he transformed a historic couture house into a global cultural phenomenon, Rousteing will unveil his first collection for Rabanne during Paris Fashion Week in March 2027. Yet the real story extends far beyond the arrival of a celebrated designer. This appointment reveals the long-term ambitions of Puig, the Barcelona-based, family-controlled luxury group that owns Rabanne. While its name is less familiar to the general public than LVMH or Kering, Puig has quietly become one of the world’s most influential players in prestige beauty and fashion, with a portfolio that includes Rabanne, Jean Paul Gaultier, Carolina Herrera, Nina Ricci, Dries Van Noten, Byredo and Charlotte Tilbury. Its strategy has never been to own the largest number of brands, but to build a select portfolio where fashion, fragrance and beauty strengthen one another. Understanding Puig helps explain why Olivier Rousteing was such a logical appointment. Unlike many luxury houses that recruit a star designer to revive declining sales, Rabanne is already one of Puig’s strongest-performing brands. Over the past decade, Julien Dossena successfully reinterpreted Paco Rabanne’s avant-garde vision for a new generation, restoring the House’s creative relevance while preserving its distinctive identity. At the same time, Rabanne became a commercial powerhouse, driven not only by fashion but also by internationally successful fragrances such as 1 Million, Lady Million, Invictus, Phantom and Fame. The brand surpassed €1 billion in annual sales, making it Puig’s first billion-euro brand. That distinction changes everything. Rousteing is not arriving to rescue Rabanne. He is arriving to expand it. This objective is reflected in Puig’s own announcement, which describes the next chapter of Rabanne as one that will further unite fashion, beauty and innovation. Those three words may appear simple, but together they define the modern luxury business model. Today, consumers rarely discover a luxury house through the runway alone. They encounter it through fragrance, cosmetics, celebrity ambassadors, digital storytelling and global cultural moments long before purchasing a handbag or a couture piece. Few designers understand that ecosystem better than Olivier Rousteing. During his fourteen-year tenure at Balmain, he proved that a Creative Director could become far more than a designer. He transformed Balmain into one of fashion’s most visible global brands by combining exceptional design with celebrity influence, social media engagement and cultural relevance. Years before luxury houses fully embraced digital communities, Rousteing had already built what became known as the “Balmain Army” a loyal global audience that extended well beyond traditional fashion clients. That experience is likely to prove invaluable at Rabanne. While the House already enjoys strong commercial momentum, Puig appears to be investing in something even more ambitious: creating a unified luxury universe in which every category from ready-to-wear and accessories to fragrance and beauty expresses the same creative identity. In today’s luxury market, a Creative Director is expected not only to define collections but also to shape campaigns, product development, collaborations and the broader cultural conversation surrounding a brand. There is also a compelling creative logic behind the appointment. Paco Rabanne built his reputation by challenging the conventions of fashion through unconventional materials, futuristic silhouettes and a fearless approach to design. Rousteing’s aesthetic is unmistakably his own, yet it shares that same appetite for boldness, sculptural construction and visual impact. Rather than recreating the founder’s work, he inherits a philosophy rooted in experimentation one that aligns naturally with his own creative language. Equally noteworthy is the tone Rousteing adopted when accepting the role. Instead of presenting his arrival as a dramatic break from the past, he publicly paid tribute to Julien Dossena and described joining Rabanne as “a tremendous honour.” In an industry often criticised for constant disruption and rapid creative turnover, that message suggested continuity, respect and long-term vision rather than revolution. The decision to schedule his debut for March 2027 is equally significant. Rather than rushing a first collection onto the runway, Rabanne is allowing its new Creative Director the time to study the archives, work alongside existing teams and develop a coherent vision before presenting his first chapter. In today’s accelerated fashion calendar, that measured approach reflects confidence rather than urgency. The industry will undoubtedly analyse every silhouette when Rousteing’s first collection finally appears in Paris. But the true success of this appointment will not be measured solely by what walks down the runway. It will be measured by whether Olivier Rousteing can strengthen Rabanne as a complete luxury ecosystem one where fashion, fragrance, beauty and culture work together to create lasting brand value. That is the real significance of this appointment. Not simply that one of fashion’s most recognisable designers has changed Houses, but that one of luxury’s most influential groups has entrusted him with shaping the future of one of its most valuable global brands. Sources: Reuters; Vogue; British Vogue; Puig official announcement. Patricia Holdener Editor-In-Chief Luxe Magazine Switzerland OlivierRousteing Rabanne PacoRabanne LuxuryFashion ParisFashionWeek FashionIndustry CreativeDirector Puig HauteCouture LuxuryBusiness FashionNews Designer LuxeMagazineIreland

After losing the most powerful job in fashion, Diana Vreeland reinvented herself and transformed the Met Gala into the most influential night in the industry. In the ruthless world of fashion, power is often temporary. Trends fade, editors fall, and yesterday’s visionaries are quickly replaced by younger faces and newer ideas. Yet few stories illustrate the triumph of reinvention better than that of Diana Vreeland, the legendary editor who was dismissed from Vogue at the height of her fame and went on to leave an even greater mark on fashion history. Today, millions know the Met Gala as the most glamorous event on earth. Celebrities compete for headlines, designers create museum-worthy masterpieces, and every appearance is scrutinized around the globe. But few realize that the event’s transformation into a cultural institution can be traced back to one woman who refused to disappear after being shown the door. By the late 1960s, Diana Vreeland was fashion’s undisputed oracle. As Editor-in-Chief of Vogue, she had redefined the magazine’s visual language and introduced readers to a world where fashion was not merely clothing but fantasy, aspiration, and storytelling. She possessed an instinct that seemed almost supernatural. She could spot cultural shifts before anyone else and understood that fashion was becoming part of a larger conversation about celebrity, art, and identity. Then, in 1971, everything changed. After nearly a decade leading Vogue, Vreeland was abruptly dismissed. The decision shocked many inside the industry. To outsiders, it appeared that one of fashion’s most extraordinary careers had come to an unceremonious end. She was in her late sixties, an age when many executives were quietly stepping away from public life. Instead, Diana Vreeland began the most influential chapter of her career. Soon after leaving Vogue, she accepted a role as Special Consultant to the Costume Institute at the Metropolitan Museum of Art in New York. At the time, fashion exhibitions were rarely treated as major cultural events. Museums often viewed fashion as decorative rather than intellectually significant. Vreeland saw things differently. Yet the most remarkable part of Diana Vreeland’s story is that she never seemed interested in revenge. Many modern retellings portray her dismissal from Vogue as a professional humiliation followed by a spectacular comeback. But those who knew her, and those who studied her career, describe something more nuanced. Vreeland did not spend the next chapter of her life trying to prove Vogue wrong. If anything, she appeared liberated. At 67, an age when many careers were already winding down, she suddenly found herself free from circulation targets, corporate expectations and editorial politics. The Metropolitan Museum offered something she had rarely experienced during her years in publishing: creative freedom. For the first time, she was no longer shaping someone else’s institution. She was building her own. And that freedom would ultimately become the foundation of her greatest legacy. What followed was a revolution. She believed fashion deserved the same reverence as painting, sculpture, literature, and architecture. What followed was a revolution. Vreeland transformed museum exhibitions into theatrical experiences. Rather than simply displaying garments behind glass, she created immersive worlds. Lighting, music, staging, atmosphere, and narrative became central to the visitor experience. Her exhibitions on designers such as Balenciaga, Yves Saint Laurent, and Christian Dior attracted unprecedented attention and helped establish fashion as a legitimate cultural force within major museums. Although she did not create the Met Gala itself, Vreeland fundamentally reshaped its identity. Before her arrival, the event was primarily a society fundraiser attended by New York’s elite. Under her influence, it became a gathering place for designers, artists, celebrities, collectors, cultural leaders, and international tastemakers. She understood something that now seems obvious but was revolutionary at the time: fashion needed spectacle. Long before social media, Vreeland grasped the power of image, exclusivity, and cultural mythology. She transformed attendance into a status symbol and helped create the blueprint for the modern Met Gala. The event evolved from a charity dinner into a global cultural moment. Perhaps the most fascinating aspect of her story is the irony. The institution that dismissed her believed her greatest achievements were behind her. History proved otherwise. Many careers end with a termination. Diana Vreeland’s legacy began with one. Today, every first Monday in May carries traces of her vision. The red carpet drama, the museum’s central role in fashion culture, the marriage of celebrity and couture, and the idea that fashion can be both entertainment and art all reflect principles she championed decades ago. Vogue gave Diana Vreeland a platform. Being fired gave her freedom. And with that freedom, she built something far larger than a magazine career. She helped redefine how the world sees fashion itself. More than fifty years later, her lesson remains timeless: sometimes the greatest revenge is reinvention. Patricia Holdener Editor- In-Chief Luxe Magazine Switzerland DianaVreeland MetGala FashionHistory Vogue LuxuryFashion FashionJournalism CostumeInstitute NewYorkFashion FashionLegacy LuxuryLifestyle FashionCulture MuseumFashion EditorialHistory WomenWhoChanged LuxeMagazineSwitzerland

As summer unfolds across the Mediterranean and beyond, Dior once again celebrates the art of travel, elegance, and escapism with the return of its highly anticipated Dioriviera universe. This season, the House presents a captivating new chapter, imagined for the first time by Jonathan Anderson, whose creative vision pays tribute to Monsieur Dior’s enduring fascination with discovery, beauty, and distant horizons. More than a seasonal collection, Dioriviera has become a global lifestyle experience, transforming some of the world’s most prestigious destinations into immersive expressions of the Dior spirit. From Capri and Ibiza to Mykonos, Bodrum, Saint-Tropez, and Portofino, the House invites guests into a refined world where luxury meets the carefree charm of summer. For 2026, the scenography draws inspiration from the sea, celebrating the timeless allure of coastal living. Elegant installations reveal fleets of sailing boats displayed in vibrant seasonal hues, evoking the graceful silhouette of the traditional Italian gozzo fishing boat. These joyful maritime motifs extend across boutique façades and window displays, creating a visual narrative that captures the freedom and romance of a Mediterranean escape. Adding a layer of artistic heritage, the décor incorporates motifs inspired by the work of Christian Bérard, one of Christian Dior’s closest friends and creative collaborators. Playful bows, dynamic stripes, and expressive graphic elements recall Bérard’s unique artistic language while reinforcing the House’s commitment to celebrating its rich cultural legacy. At the legendary 30 Montaigne in Paris, Dior’s historic address, visitors are welcomed into an enchanting setting where oversized seashells delicately frame jewellery and fragrance creations. Presented like hidden treasures discovered along a shoreline, these exceptional pieces embody the poetry and craftsmanship that define the House of Dior. Inside the boutiques, the atmosphere continues the seaside narrative. Natural rattan furnishings, sophisticated decorative screens, and airy design elements evoke the relaxed elegance of a luxurious beach retreat. Every detail has been carefully conceived to transport visitors into a world of sunshine, refinement, and effortless sophistication. The Dioriviera experience extends beyond fashion and design. At selected destinations, exclusive outdoor installations transform poolsides and terraces into chic Dior sanctuaries. Signature sun loungers and parasols create inviting spaces where guests can enjoy moments of relaxation in an atmosphere infused with the House’s unmistakable aesthetic. To further elevate the experience, Dior offers a series of bespoke summer moments, including specially crafted signature cocktails and unforgettable excursions aboard Riviera boats. These carefully curated experiences reflect the House’s dedication to creating meaningful connections between luxury, travel, and lifestyle. The journey continues in Asia, where elegant marquee installations have been introduced at the Dior Gold House in Bangkok and the Seongsu Concept Store in Seoul. These unique spaces showcase Jonathan Anderson’s latest creations while extending the Dioriviera spirit to a global audience eager to embrace the season’s most desirable expressions of contemporary luxury. Through Dioriviera 2026, Dior once again demonstrates its ability to transform fashion into an immersive art of living. Blending heritage, creativity, craftsmanship, and travel, the House offers a sophisticated invitation to dream, explore, and celebrate the beauty of summer in its most elegant form. Patricia Holdener Editor-In-Chief Luxe Mgazine Switzerland Dior Dioriviera JonathanAnderson LuxuryLifestyle LuxuryTravel HauteCouture SummerLuxury FashionExcellence LuxeMagazineSwitzerland DiorSummer2026

Internationally recognized contemporary abstract artist Christine Meeks is redefining the language of abstraction through layered compositions that unite architectural precision with emotional depth. With exhibitions in New York City, international editorial recognition, and a place among the Top 10 Artists of 2026, Meeks continues to establish herself as one of the most compelling voices shaping today’s contemporary art landscape. In an era where visual culture is increasingly driven by immediacy, saturation, and fleeting attention, Christine Meeks offers a profoundly different experience. Her paintings do not demand instant interpretation; instead, they invite a slower, more thoughtful encounter one that unfolds gradually through observation, reflection, and emotional engagement. Every composition becomes an evolving dialogue between the artwork and the viewer, revealing new dimensions over time. Based in Virginia, USA, Meeks has cultivated a distinctive artistic identity that transcends traditional abstract painting. Her practice explores the delicate equilibrium between architecture and intuition, geometry and gesture, permanence and transformation. Rather than depicting recognizable places or narratives, she distills the invisible structures that govern human experience, translating memory, movement, and perception into sophisticated visual compositions rich in texture, atmosphere, and spatial rhythm. What immediately distinguishes Christine Meeks’ work is her remarkable ability to balance disciplined structure with expressive freedom. Fine architectural frameworks coexist with fluid brushwork, while carefully orchestrated geometric elements dissolve into luminous atmospheric passages. This ongoing dialogue between control and spontaneity creates paintings that feel simultaneously grounded and ethereal, intellectual yet deeply human. Architecture serves as one of the central influences throughout her oeuvre not merely as a physical subject, but as a conceptual framework through which she investigates how people navigate space, relationships, and memory. Urban landscapes, pathways, intersections, and structural forms become visual metaphors for life’s interconnected systems. These references never impose a fixed narrative; instead, they provide viewers with an open visual language through which personal meaning naturally emerges. Travel and observation further enrich her creative process. Every city explored, every landscape encountered, every subtle shift in light or atmosphere contributes to an expanding visual vocabulary that continuously evolves. These lived experiences become embedded within each composition, allowing her paintings to resonate across cultures and audiences while maintaining an unmistakably personal voice. Perhaps the defining characteristic of Meeks’ artistic practice is her extraordinary mastery of layering. Each painting develops through successive stages of construction, where translucent veils of color, intricate textures, expressive marks, and architectural fragments accumulate into richly nuanced surfaces. These layers function as more than technical devices they become metaphors for lived experience itself, suggesting the complexity of memory, personal growth, and the invisible passage of time. As viewers engage with her work, they are invited to move through these visual environments much as they would navigate an unfamiliar city. Hidden pathways reveal themselves. Relationships between forms gradually emerge. Subtle tensions resolve into moments of clarity before dissolving once again into ambiguity. This dynamic viewing experience ensures that no encounter with the work remains static; each return offers fresh discoveries and renewed emotional resonance. This capacity for sustained engagement distinguishes Christine Meeks from purely decorative abstraction. Her paintings reward patience and curiosity, offering increasing complexity the longer they are observed. Minute variations in texture, carefully balanced spatial relationships, and restrained chromatic harmonies reveal themselves progressively, creating works that continue to evolve alongside the viewer’s own perception. It is precisely this intellectual sophistication combined with emotional accessibility that has attracted growing interest from collectors, architects, interior designers, and contemporary art enthusiasts. Her work integrates seamlessly within refined architectural spaces while maintaining a powerful conceptual presence qualities that have become increasingly valued in today’s international art market. Recognition has naturally followed the consistency and maturity of her artistic vision. Exhibitions in New York City, features in respected international publications, and her recognition among the Top 10 Artists of 2026 reflect a career built upon authenticity, disciplined exploration, and an unwavering commitment to artistic excellence. Rather than pursuing trends, Meeks has remained devoted to developing a visual language that is both timeless and unmistakably her own. Beyond aesthetics, her paintings encourage something increasingly rare within contemporary culture: presence. They ask viewers to pause, to observe without expectation, and to embrace uncertainty as an essential part of discovery. In doing so, her work transforms abstraction into an immersive experience one where emotion, architecture, memory, and imagination coexist in quiet yet profound harmony. As Christine Meeks continues expanding her international presence, her artistic journey reflects more than technical mastery; it represents an ongoing investigation into how environments shape identity, how memory inhabits space, and how abstraction can illuminate the unseen dimensions of human experience. In a contemporary art world often captivated by spectacle and instant gratification, Christine Meeks stands apart through restraint, intelligence, and authenticity. Her paintings are not simply objects to be admired; they are spaces to inhabit, conversations to revisit, and experiences that continue unfolding long after the first encounter. Through a practice rooted in observation, balance, and emotional resonance, she continues to affirm her place among the most engaging contemporary abstract artists of her generation. Artist Biography Christine Meeks is a contemporary abstract artist based in Virginia, USA. Her multidisciplinary approach combines layered compositions, architectural inspiration, atmospheric depth, and expressive mark-making to investigate the relationship between structure, movement, memory, and emotional resonance. Influenced by architecture, travel, urban environments, and the natural world, she has developed a refined visual language defined by spatial complexity, tactile surfaces, and a harmonious balance between precision and intuition. Her paintings invite viewers into contemplative spaces where abstraction becomes a vehicle for reflection, connection, and discovery. Her work has been exhibited in New York City, featured in international art publications, and recognized among the Top 10 Artists of 2026. As her international profile continues to grow, Christine Meeks remains committed to creating timeless works that bridge intellectual inquiry with emotional experience, establishing a lasting dialogue between artwork, architecture, and the human spirit. Website: www.christinemeeksfineart.com Instagram: @christinemeeksfineart Email: christinemeeksfineart@gmail.com Location: Virginia, United States Patricia Holdener Editor-In-Chief Luxe Magazine Switzerland ChristineMeeks ContemporaryAbstractArt AbstractArtist ContemporaryArt ArtCollector ArchitecturalArt FineArtCollector EmergingArtist ModernArt LuxeMagazineSwitzerland