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Shamwari Launches Private Air Shuttle, Strengthening its Position as South Africa’s Next Great Safari Destination 13 November 2025 There are journeys that take you somewhere, and journeys that transform the very idea of arrival. At Shamwari Private Game Reserve one of South Africa’s most distinguished Big Five sanctuaries the unveiling of a new private air shuttle marks not just an operational milestone, but the beginning of a more seamless, more intimate safari experience. As of this year, travellers may now fly directly from Cape Town or Johannesburg to Shamwari’s private airstrip in just 1 hour 45 minutes from Cape Town and 2 hours 12 minutes from OR Tambo International Airport. What was once an expedition of multiple connections and extended road transfers is now a refined, time-conscious passage into the heart of the Eastern Cape wilderness. This new service arrives at a defining moment for the reserve, which has experienced a remarkable era of renewal and recognition. Long Lee Manor was recently awarded a coveted Michelin Key, while Shamwari claimed several prestigious honours at the World Luxury Travel Awards 2025 including Global Winner: Best Luxury Private Game Reserve in Southern Africa, Luxury All-Inclusive Lodge, and Regional Winner: Best Luxury Tented Safari Camp. These accolades reflect years of dedicated restoration, during which every lodge Eagles Crag, Bayethe, Long Lee Manor, Riverdene Family Lodge, Sarili Private Villa, and the new Sindile Tented Lodge was meticulously refurbished to match the reserve’s evolving vision of sustainable, deeply felt luxury. A New Way to Arrive The new air shuttle, operated on a 16-seat Beechcraft 1900D, represents a thoughtful reimagining of the arrival experience. The flight trims up to four hours off traditional travel times, allowing guests to step directly into the world that awaits them. Upon landing, travellers are met at the airstrip and escorted on a short drive through the reserve a transfer that often feels like an introductory game drive. Wildlife sightings emerge unexpectedly: a giraffe lifting its head above the acacia canopy, a herd of impala scattering through golden grass, or a lone rhino carving a silhouette in the distance. The safari does not begin at check-in. It begins at touchdown. “The Shamwari Air Shuttle gives people their time back,” explains CEO Joe Cloete. “It provides a convenient and time-efficient way for guests to reach us without spending hours at airports. Their safari experience starts on the aircraft, and the short transfer doubles as a game drive. It means visitors can now enjoy their full stay without having to cut it short to fit commercial flight schedules.” In an industry where time is the rarest luxury, Shamwari has found a way to gift it back. The Shamwari Foundation Beneath the surface of elegance, Shamwari’s heartbeat remains its unwavering dedication to conservation. After more than three decades of pioneering wildlife and community initiatives, the reserve formalised its impact through the establishment of the Shamwari Foundation in 2024. Built on three pillars Wildlife, Community, and Environment the Foundation now anchors the reserve’s long-term sustainability strategy. Recent conservation successes illustrate the depth of Shamwari’s work: 29 Cape vultures are nearing release into the wild Two leopards have been safely relocated through conflict mitigation initiatives A black rhino orphan, rescued after a poaching incident, continues its recovery journey Each achievement represents not only a life saved, but a philosophy upheld that tourism, conservation and community must move forward together. Visitors are encouraged to witness these efforts firsthand. “Guests can visit projects such as the Wildlife Rehabilitation Centre, the Born Free Big Cat Sanctuaries and the Vulture Breeding Programme with VulPro, all of which show our work up close,” says Foundation Manager Karla Pienaar. With the arrival of the new air service, guests are now spending less time travelling and more time immersing themselves in Shamwari’s conservation world. Many have already begun extending their stays specifically to participate in these initiatives. “Shamwari is a living example of sustainable conservation in action,” Cloete adds. “Every guest who visits contributes to our 33-year rewilding project. The word ‘Shamwari’ means ‘my friend’, and that’s exactly how we want people to feel when they arrive.” A Region Reimagined The introduction of private charter flights elevates the Eastern Cape into a new era of accessibility, placing it on equal footing with well-trodden safari regions like the Kruger and North West. For travellers seeking big landscapes, authentic wildlife encounters and elevated hospitality without compromising time Shamwari now represents an unrivalled proposition. The reserve offers what few destinations can combine so effortlessly: world-recognised luxury, specialist guiding, meaningful conservation and a true Big Five wilderness, all within a malaria-free ecosystem. “The Eastern Cape has always deserved more attention as a destination,” Cloete notes. “With these awards, the Foundation and now the air shuttle, we hope to show just how much this region has to offer, and how accessible it can be.” ENDS For reservations, inquiries or bookings: 📧 reservations@shamwari.com 📞 +27 (0)42 203 1111 🌐 www.shamwari.com For media inquiries or interview opportunities: 📧 sky@phoenixcollective.world 📞 +27 (0)82 849 4160 About Shamwari Private Game Reserve Shamwari Private Game Reserve is one of South Africa’s largest malaria-free Big Five private reserves, spanning more than 25,000 hectares of the Eastern Cape’s most diverse and ecologically rich landscapes. It offers a rare harmony of luxury, conservation, and authentic African wildlife encounters. Following a comprehensive refurbishment of all lodges Eagles Crag, Bayethe, Long Lee Manor, Riverdene Family Lodge, Sarili Private Villa, and Sindile Tented Lodge Shamwari continues to set the global benchmark for responsible, immersive safari excellence. The reserve’s international recognition includes multiple titles at the World Luxury Travel Awards 2025: Global Winner: Best Luxury Private Game Reserve in Southern Africa, Luxury All-Inclusive Lodge, and Regional Winner: Best Luxury Tented Safari Camp. In addition, Long Lee Manor received the prestigious Michelin Key, further underscoring Shamwari’s position as one of Africa’s most refined safari destinations. Through the Shamwari Foundation, every guest plays an active role in the reserve’s long-standing conservation mission. Whether visiting the Wildlife Rehabilitation Centre, encountering rescued big cats at the Born Free sanctuaries, or exploring the vast rewilding terrain, travellers contribute directly to Shamwari’s 33-year commitment to restoring and protecting South Africa’s biodiversity. Shamwari is more than a destination. It is a living, breathing example of sustainable tourism in action where every journey supports the future of the wild. Shamwari ShamwariPrivateGameReserve LuxurySafari SouthAfricaTravel EasternCape SafariExperience PrivateAirShuttle BigFiveSafari EcoLuxury SustainableTravel WildlifeConservation LuxuryAdventure TravelAfrica SafariLodge ConservationTourism LuxuryGetaway SustainableSafari TravelInStyle AfricanWilderness LuxeMagazine luxemagazineswitzerland

The Art of Impact: GILDA’s Unique Voice in Global Contemporary Art Currently on view at the LinKong Contemporary Museum of Art in Beijing, artist GILDA is exhibiting eight large-scale works. These pieces reflect the distinctive visual language she has refined over a five-decade career. Her artistic signature is powerfully embodied in her ongoing collection, Strangely Beautiful Animals. This limited series consists of 50 paintings on linen that merge Neo-Expressionist intensity with Pop Art vibrancy. Spring Panda Bear by GILDA. 7 feet high by 6 feet across. Acrylic and Artists Spray paints on Linen Canvas. Currently on exhibit at the LinKong Contemporary Museum of Art in Beijing, China. With museum Curator Xu Jin. The Inspiration Behind GILDA's Work The series stems from GILDA’s firm belief that animals are intelligent, intuitive beings. Each work is conceived as a unique portrait. The artist creates only one depiction of each animal. This rarity, combined with the expressive force of her style, has made the paintings highly sought after as collectible works. The series has already been featured in numerous magazines. This portrait of “Louis” appears on the cover of Fine Arts magazine. Louis is the dog of Avv. Massimo Mazzoleni and his wife, Sylvia Gallo Mazzoleni. They are the owners of the recently renowned painting Christ of Lecco, attributed to Leonardo da Vinci, along with nine other works attributed to the master. GILDA's Artistic Journey GILDA is represented by Chrissy Moore Art Advisory. This partnership highlights the artist’s ability to combine color, emotional resonance, and a humanistic approach across her multidisciplinary practice. Her portfolio ranges from vivid Pop-influenced canvases to monumental mosaic installations reminiscent of illuminated stained-glass murals. Her international footprint, including exhibitions in major institutions, underscores an evolving practice that crosses both cultures and mediums. The Power of Collaboration CMAA describes its collaboration with GILDA as more than representation. It is a partnership with an artist whose work consistently demonstrates the connective and transformative power of art. Her longstanding commitment to community-centered projects, particularly her large collaborative mosaics involving children, families, and underserved groups, reinforces a belief that art should be shared, experienced collectively, and carry meaningful social impact. Honey Bee by GILDA. 6 feet high by 6 feet across. Acrylic paints and Artists Spray Paints on Linen Canvas. A Philosophy of Art Through her presence at CMAA, GILDA contributes not only artistic excellence but also a philosophy that aligns with the advisory’s mission. This mission champions creators whose work embodies both aesthetic strength and emotional truth. Orders yet grounded in humanity, her practice harmonizes museum-level refinement with genuine social impact. Her work pushes us to curate with greater intention, to think expansively, and to build pathways worthy of a career that continues to shape the landscape of contemporary visual culture. With Gilda Oliver, art is not only seen; it is felt, remembered, and lived. GGildaArt StrangelyBeautifulAnimals NeoExpressionism PopArt ContemporaryArt ArtExhibition ArtInBeijing LinKongMuseum ArtSeries LinenCanvas AnimalArt ArtCollectors EmergingArtists ArtMagazineFeature CMAA ChrissyMooreArtAdvisory ModernArtArtGallery VisualArtist ArtWorld GlobalArtScene ArtistSpotlight FineArt luxemagazineswitzerland

THE DOLDER GRAND LIFE BALANCE New Year, New Glow A new year carries a particular energy one of focus, clarity, and a quiet desire for renewal. At The Dolder Grand Spa, this moment of transition is embraced through Life Balance, a holistic philosophy designed to restore harmony between body and mind. Built around four essential pillars Relax, Beauty, Vitality, and Detox Life Balance offers a personalised approach to wellbeing, adapting to every stage of life and individual need. At the beginning of the year, this philosophy takes on a new expression with the introduction of the Day and Night Experience, created in collaboration with La Prairie. Combining refined skincare, deep relaxation, and timeless aesthetics, this ritual enhances both inner balance and outer radiance. New Year, New Glow an elegant way to step into the year ahead. THE DOLDER GRAND SPA Spanning 4,000 square metres, The Dolder Grand Spa unfolds as a world dedicated to rest, regeneration, and renewal. Guests enjoy access to the expansive Aqua Zone, featuring a swimming pool, outdoor whirlpools, sanarium, and steam bath. Inspired by Japanese tradition, the Sunaburo offers a unique bathing experience, while the separate Ladies’ Spa and Gentlemen’s Spa provide saunas, steam baths, aroma pools, steampots, and plunge pools. Quiet relaxation areas, a meditation room, a workout studio, group class rooms, and private spa suites complete the experience. Treatments are delivered across 19 treatment rooms, within a space designed by renowned spa designer Sylvia Sepielli, whose culturally inspired and concept-driven work is internationally recognised in leading resorts and hotels. Exclusive brands such as La Prairie and Margy’s Monte Carlo shape the spa treatments, complemented by the expertise of the Dolder Medical Group in the fields of medical wellness and longevity. LIFE BALANCE THE SPA PHILOSOPHY Life Balance reflects a holistic understanding of wellbeing, recognising that every phase of life calls for a different form of equilibrium. Its four pillars form the foundation of this philosophy: Relax Treatments designed to release tension, calm the mind, and create distance from everyday life. Vitality Energising offerings that strengthen the body in the fitness studio, during group classes, or through outdoor activities. Beauty Care rituals that support inner and outer beauty, restoring freshness and luminosity to the skin. Detox Applications that promote cleansing processes and support the body’s natural detoxification. SPA BRANDS LA PRAIRIE & MARGY’S MONTE CARLO For facial and body treatments, The Dolder Grand Spa relies on two Swiss brands renowned for excellence and high-performance ingredients. La Prairie stands for rejuvenation, innovation, and Swiss precision, while Margy’s Monte Carlo is distinguished by its collagen-based skincare expertise. NEW IN LA PRAIRIE FACIALS To welcome the new year, three La Prairie signature facials enrich the spa’s treatment portfolio: White Caviar Phenomenal Glass Skin Facial (90 minutes) Illuminate Glow Smooth A ritual designed to enhance skin radiance and evenness. Anti-aging molecules, cryotherapy, and lymphatic drainage stimulate renewal and leave the skin visibly smoother. Pure Gold Purest Radiance Enhanced Facial (90 minutes) Renew Replenish Revitalise Inspired by Kobido massage techniques, this treatment activates microcirculation, supports collagen production, and restores a plumped, revitalised appearance. Platinum Rare Elevated Rejuvenating Facial (120 minutes) Refine Restore Reverse Platinum-infused formulations, cryotherapeutic impulses, and targeted massage techniques support skin structure, counter visible signs of ageing, and reveal renewed freshness. LA PRAIRIE × THE DOLDER GRAND Day and Night Experience A new rhythm for modern relaxation. The Day and Night Experience unites The Dolder Grand Spa’s Life Balance philosophy with La Prairie’s Skin Caviar expertise. The result is a thoughtfully curated package that harmonises day and night while redefining contemporary recovery. The experience includes: One overnight stay with breakfast Caviar soufflés by Kaviari as a welcome amenity The Skin Caviar Day and Night Firming Duo Set A La Prairie Skin Caviar facial treatment Unlimited access to The Dolder Grand Spa Participation in fitness classes such as yoga, pilates, or Morning Boost Validity Limited availability, bookable subject to availability from 1 January to 30 December 2026. Price From CHF 1,981 for two persons in a Superior double room. NOVELTY – LA PRAIRIE Skin Caviar Day and Night Firming Duo Set This duo combines two 30 ml formulations for day and night care. The Cellular Complex and Caviar Premier support natural collagen synthesis, while fragmented Caviar PDRN strengthens the skin’s structure. Contents Skin Caviar Luxe Cream 30 ml with spatula Skin Caviar Luxe Sleep Mask 30 ml (exclusive set size) with brush Price Available as a limited edition at CHF 625 in the Spa Shop. About The Dolder Grand Opened in 1899, The Dolder Grand features 175 luxurious rooms and suites. Perched high above Zurich on the Adlisberg, the city resort offers panoramic views over the vibrant city life, Lake Zurich, and the Swiss Alps. The legendary hotel boasts an extraordinary history with illustrious guests and has established itself as a destination for culinary experiences, art, and wellness. The imposing, castle-like building bears the signature of renowned architect Lord Norman Foster. With four permanent restaurants and a pop-up, the five-star superior hotel offers an exciting gastronomic concept: The Restaurant (2 Michelin stars, 19 Gault-Millau points), Mikuriya (17 Gault-Millau points), the vegan-vegetarian garden restaurant blooms (16 Gault-Millau points), Restaurant Saltz (15 Gault-Millau points), and an additional restaurant with rotating culinary concepts, such as The Grand Heritage. The Canvas Bar & Lounge completes the gastronomic offering, which earned The Dolder Grand the title of “Hotel of the Year 2024” from Gault-Millau. The spa spans around 4,000 square meters, offering pure relaxation. The hotel is also renowned for its extensive art collection, comprising over 100 works by world-famous artists, including Salvador Dali and Takashi Murakami. The Dolder Grand (2 Michelin Keys) is a member of the Leading Hotels of the World, Swiss Deluxe Hotels, and Responsible Hotels of Switzerland. Contacts for interview requests and further information: The Dolder Grand Joachim Schweier Head of Marketing & Communications Manager Tel: +41 44 456 60 00 pr@dolderhotelag.com Farner Consulting AG Toby Felder Partner & Director Tel: +41 44 266 67 67 toby.felder@farner.ch TheDolderGrand LuxuryHotel SwissLuxury ArtAndDesign GourmetExperience WellnessRetreat LuxuryTravel ZurichLuxury SpaLife LeadingHotelsOfTheWorld SwissDeluxeHotels ResponsibleTravel TimelessElegance LuxuryLifestyle Wellbeing FineDining LuxuryArt HotelOfTheYear IconicHotel TravelInStyle luxemagazineswitzerland

For decades, palace hotels were designed to be seen. Grand entrances, opulent lobbies, iconic façades luxury hospitality once thrived on visibility. Today, that paradigm has shifted. In an era defined by constant exposure, the most refined hotels are no longer competing for attention. They are competing for silence. Privacy has become the ultimate luxury currency. Not as an abstract promise, but as a carefully engineered experience. The world’s most prestigious hotels are quietly redesigning their architecture, services, and operational philosophies to protect guests from visibility rather than encourage it. This transformation is not cosmetic. It reflects a profound change in the expectations of high-net-worth travelers. Public figures, business leaders, collectors, and ultra-discreet clients no longer seek grandeur alone. They seek control over their time, their movements, and their interactions. True luxury, today, is the ability to exist without being observed. Palace hotels have responded by rethinking space itself. Private entrances, secluded wings, independent villas, and discreet circulation paths are no longer optional features; they are strategic priorities. In many properties, guests can now arrive, dine, relax, and depart without ever crossing a public area. The choreography of hospitality has become invisible. Service, too, has evolved. The most refined luxury service is no longer anticipatory in a demonstrative sense. It is precise, restrained, and deeply personalized. Staff are trained not to impress, but to withdraw. Presence is replaced by availability. Excellence is measured by what does not happen: interruptions, delays, unnecessary interactions. Technology plays a paradoxical role in this new ecosystem. While digital tools are essential, they are deliberately hidden. Check-ins occur privately. Preferences are recorded silently. Communication happens discreetly, often through secure channels that respect boundaries. The goal is not innovation for its own sake, but frictionless autonomy. This pursuit of privacy is particularly visible in palace hotels with historic legacies. Properties that once symbolized social life ballrooms, salons, public dining rooms are now reinterpreting their role. Public spaces remain, but they are complemented by layers of seclusion. The guest experience is no longer linear; it is customizable. Geography also plays a role. Remote destinations, private islands, and secluded mountain retreats have long understood the value of isolation. What is new is how urban palace hotels are achieving the same effect. In global capitals, where visibility is unavoidable, luxury hotels are becoming sanctuaries buffer zones between the guest and the outside world. January is a revealing moment for this sector. As travelers plan their year, privacy consistently emerges as a decisive criterion. The demand is not seasonal. It is structural. Post-pandemic travel habits have reinforced the desire for controlled environments, where comfort includes psychological security. This evolution has implications beyond hospitality. Palace hotels now function as extensions of private life. They host confidential meetings, discreet celebrations, and personal retreats. In many cases, they replace private residences, offering services that individuals cannot replicate independently. The economics of discretion are complex. Designing privacy requires investment architectural modifications, staff training, limited occupancy strategies. Yet the return is loyalty rather than volume. The most discreet hotels do not seek maximum capacity. They seek repeat guests who value trust over novelty. Discretion also influences aesthetics. Interiors are increasingly understated. Visual excess gives way to material intelligence: soundproofing, natural light, tactile surfaces, spatial flow. Luxury is felt rather than displayed. The most successful hotels understand that calm is not emptiness it is composition. Importantly, this movement is not about isolation from reality. Guests do not seek disconnection; they seek selectivity. They choose when and how to engage with the world. Palace hotels that succeed are those that offer both: access and retreat, visibility and withdrawal. Critically, privacy must be authentic. Guests instantly perceive performative discretion. A hotel cannot claim privacy while encouraging social media exposure or public spectacle. Consistency is essential. Every element from staff behavior to architectural design must align with the promise of discretion. As hospitality continues to evolve, palace hotels are redefining their purpose. They are no longer stages for luxury. They are shelters for it. In doing so, they reflect a broader cultural shift: luxury is no longer about being seen at the right place, but about being protected in the right one. In a world where everything is shared, privacy is no longer a comfort. It is a statement. LuxuryHotels PalaceHotels DiscreetLuxury PrivateTravel HospitalityExcellence UltraLuxury LuxuryLifestyle TravelCulture FiveStarHotels LongFormJournalism

Behind Closed Doors: How Private Art Collections Quietly Shape Cultural History They do not announce themselves. They do not seek validation through headlines or social media visibility. Yet some of the most influential forces shaping today’s art world operate quietly, behind closed doors: private art collections. While museums define public narratives, private collectors often shape them long before they reach institutional recognition. Works are acquired years sometimes decades before entering the canon. Artists are supported when visibility is still fragile. Entire movements are preserved through individual conviction rather than collective consensus. Serious private collections are rarely built on impulse. They are constructed slowly, guided by research, long-term dialogue with galleries, curators, historians, and sometimes the artists themselves. The most respected collectors do not chase trends; they assemble coherent bodies of work that reflect intellectual commitment rather than financial speculation. Discretion is central to this ecosystem. Unlike public institutions, private collections are not bound by attendance metrics or programming pressure. This freedom allows collectors to take risks acquiring challenging, non-commercial, or historically overlooked works. In many cases, private collectors become the first custodians of artistic revolutions. Their influence extends far beyond ownership. Major museum exhibitions frequently rely on loans from private collections. Entire retrospectives would be impossible without these works temporarily leaving private walls. Yet the collector’s name often appears discreetly, if at all, reinforcing a culture where contribution outweighs recognition. In recent years, the relationship between private collectors and public institutions has evolved. Foundations, private museums, and long-term loans have become increasingly common. This controlled form of openness allows collectors to share their vision without relinquishing autonomy. The collection remains private in governance, but public in impact. What distinguishes a collection of cultural relevance from a mere accumulation is context. Works are not displayed randomly; they are placed in dialogue. Periods, mediums, and artistic intentions are carefully orchestrated. Collecting, at this level, becomes a form of authorship one that requires historical knowledge and ethical responsibility. This responsibility is particularly evident in conservation. Private collectors often invest heavily in restoration, documentation, and archival research. Preservation is not optional; it is fundamental. In some cases, private initiatives have saved works that institutions lacked the resources to maintain. January is a revealing moment in this world. As museums finalize annual programming and art fairs prepare their calendars, collectors reassess direction rather than volume. Acquisitions slow. Reflection replaces momentum. The most thoughtful collections evolve not through constant expansion, but through refinement. Contrary to popular perception, financial power alone does not grant access to meaningful collecting circles. Credibility is built through consistency, discretion, and respect for the ecosystem. Artists, galleries, and institutions quickly distinguish between speculative buyers and long-term patrons. Private collecting also raises complex questions. Who controls cultural memory? How accessible should privately owned heritage be? Where does stewardship end and exclusivity begin? These debates have intensified as private collections grow in scale and influence. There are no simple answers only evolving practices. What remains constant is the collector’s role as intermediary between creation and posterity. Private collections operate in a space between intimacy and legacy. They protect art from immediacy, allowing it to mature outside the pressure of public judgment. In an era dominated by visibility and instant validation, private collections offer a counter-model. They remind us that cultural value is not always immediate, and that some of the most decisive gestures in art history occur away from the spotlight. Art history is not written only in museums. It is also written in living rooms, archives, and quiet storage spaces where conviction, patience, and discretion quietly shape what future generations will see. PrivateArtCollections ArtPatronage CulturalHeritage ArtCollectors LuxuryCulture ArtHistory DiscreetLuxury ContemporaryArt MuseumCulture LongFormJournalism

Experience the Thrill of Snow Polo St. Moritz, January 2026 Every winter, the frozen Lake St. Moritz transforms into an exclusive sporting arena. The Snow Polo World Cup St. Moritz returns for its 41st edition, solidifying its status as the world’s only high-goal polo tournament played on snow. This event combines elite sport, alpine glamour, and the precision that Switzerland is famous for. Snow polo is not just a tournament; it is a ritual. This bucket-list event draws top players and spectators alike. It attracts leading professionals, 280 representatives from international media, and high society. Over 25,000 spectators gather on the ice. On Day 1, free public access to the Polo Village welcomes a broader audience. Meanwhile, VIP hospitality and the iconic Gala Dinner sell out months in advance, remaining among the most sought-after winter invitations. Yes, there is glitz and glamour. However, at its core, the Snow Polo World Cup St. Moritz is defined by sporting excellence. Under the visionary leadership of founder and five-time champion Reto Gaudenzi, world-class athletes and exceptional ponies deliver polo of the highest caliber. This reinforces the event’s status as one of the most prestigious fixtures on the international polo calendar. Opening Day on Pristine Ice The tournament kicked off on a flawless 55cm ice base, providing ideal playing conditions for six elite teams. The opening day featured three matches, with the top four teams advancing directly to the Semi-Finals. Flexjet secured a decisive 7–5½ victory over Mackage. St. Moritz Top of the World edged out Azerbaijan Land of Fire 4–3½ in a tightly contested match. Tournament favorites Standing Rock, fresh from their recent victory in Kitzbühel, confirmed their form with a controlled 6–4 win against newcomers Investec, who made their Snow Polo World Cup St. Moritz debut this year. What’s Next? Action continues with The President’s Cup and the two Semi-Finals. This culminates in another day of high-intensity polo set against one of the most spectacular winter backdrops in the world. All matches are broadcast live on www.pololine.tv. The 41st Snow Polo World Cup St. Moritz Teams Flexjet (15): Joaquín Castellvi, Pelayo Berazadi, David ‘Pelón’ Stirling, Tito Gaudenzi Standing Rock (16): Philipp Müller, Max Charlton, Raul Laplacette, Nacho Gonzalez Azerbaijan Land of Fire (14): Tarlan Gurbanaliyev, Elchin Jamalli, Adrian Laplacette, Manuel Fernández Llorente Investec (16): Carlos Alberto Mansur, Marcelo Camargo, Guilherme Lins, Jose Meirelles St. Moritz Top of the World (16): Aristide Faggionato, Sebastien Aguettant, Robert Strom, Nico Pieres Mackage (14): Joevy Beh, Lovy/James Beh, Garvy Beh, Alfredo Bigatti Sponsors and Partners of the Snow Polo World Cup St. Moritz 2026 Team Sponsors: Investec, Standing Rock, Flexjet, MACKAGE, Azerbaijan Land of Fire, St. Moritz Official Jersey & Apparel Partner: U.S. Polo Assn. Helmet Sponsor: St. Moritz Umpire Sponsor: Maura Wasescha Polo Equipment Provider: Casablanca Official Hotels: Badrutt’s Palace Hotel, Kulm Hotel St. Moritz, Grand Hotel des Bains Kempinski, Carlton Hotel, Suvretta House, Giardino Mountain, Grace La Margna, Crystal Hotel, Steffani Hotel, Hotel Corvatsch, Laudinella Hotel Group, Hotel Sonne Guest Resort: Ithaafushi – The Private Island by Waldorf Astoria Official Restaurants: Chesa Veglia/Polo Bar, Paradiso, Kulm Country Club Official Vodka: Beluga – The Noble Vodka Official Champagne: Champagne Perrier-Jouët Official Prosecco: Villa Sandi Official Car: Kessel/Maserati (liste complète des sponsors, partenaires, fournisseurs, médias et soutiens conservée telle quelle) About Snow Polo and Evviva Polo St. Moritz Ltd Founded in 1985, St. Moritz hosted the world’s first-ever snow polo tournament. It has remained the spiritual home of the discipline ever since. In 2014, Evviva Polo St. Moritz Ltd was established to ensure the long-term continuation of the Snow Polo World Cup St. Moritz, in partnership with the town of St. Moritz. Media Contacts Snow Polo World Cup St. Moritz Katja Grauwiler +41 79 684 88 53 media@snowpolo-stmoritz.com Evviva Polo St. Moritz Ltd Reto Gaudenzi +41 79 774 38 27 reto.gaudenzi@snowpolo-stmoritz.com Jürg Reinger +41 79 402 92 75 juerg.reinger@snowpolo-stmoritz.com SnowPoloWorldCup StMoritz LuxurySports AlpineElegance HighGoalPolo WinterLifestyle SwissPrecision LuxuryEvents PoloLife Engadin Luxemagazineswitzerland

Albert Anker 1831 - 1910 Mädchenbildnis Swiss Masters in the Spotlight at Artcurial Beurret Bailly Widmer As every year, the auction house Artcurial Beurret Bailly Widmer dedicates its first annual sale to Swiss art and international art before 1900, alongside collectible timepieces with the third edition of the Basel Watch Auction. In total, 269 lots across three catalogues will go under the hammer on March 11 in Basel. Our catalogue dedicated to Swiss art brings together exceptional works by the great Swiss masters of the 19th and 20th centuries, including two paintings by Cuno Amiet (1868–1961), each estimated at CHF 500,000–700,000, among the finest and most significant works by the artist ever to appear on the market. The first, Arbre fruitier enneigé, depicts a solitary tree set against a luminous background, radiating light, colour and atmosphere; the snow shimmers in blue and violet tones, contrasted with vivid yellow for an exceptional chromatic harmony. This work ranks among Amiet’s most important winter landscapes. The second, Hiver dans les montagnes, stands out for the singular character of this mountain landscape and its sea of clouds an unusual composition for Amiet. The artist employs bright, luminous colours that lend the fog, snow and mountains an almost decorative effect. Instead of realistic shadows, simplified forms and clearly defined planes of colour dominate, transforming the misty atmosphere into a powerful and richly coloured natural phenomenon. Reality and subjective perception merge seamlessly. This composition is remarkably bold and modern. Proof of their museum quality, both paintings have been requested on loan for the exhibition Cuno Amiet, Les Quatre Saisons at the Musée d’art de Pully (17.9.2026–9.1.2027). Another highlight of this sale is a magnificent Portrait de jeune fille by Albert Anker (1831–1910), estimated at CHF 500,000–700,000. While portraiture represents only part of the Bernese master’s oeuvre, these works remain among his most remarkable achievements. Animated by profound empathy, the artist delicately captures the seriousness and shyness inherent to childhood, affirming Anker’s place among the major painters of his time. Among the other major works are two paintings by Félix Vallotton (1865–1925), including Les Alyscamps, a reference to the Roman necropolis in Arles, whose celebrated tree-lined avenue also inspired Paul Gauguin and Vincent van Gogh. Estimated at CHF 250,000–350,000 and considered one of the artist’s major creations, the work depicts a tree-lined path bathed in light, where shadows and vivid colours create a serene, almost dreamlike atmosphere. The balance of the composition and the subtle handling of light invite quiet contemplation. With an equally sensitive approach to light and spatial construction, L’Escalier du couvent San Marco, Pérouse (estimate: CHF 200,000–300,000) stands as the most remarkable painting within a group of eight oils executed in September 1913. Also noteworthy is La belle Rose by Ernest Biéler (1863–1948), estimated at CHF 200,000–300,000. In 1934, the artist stages one of his favourite models in a large-format composition, reinterpreting with modernity the Valais themes that made his reputation. Finally, although best known as one of the most important Swiss authors of the 20th century, Friedrich Dürrenmatt (1921–1990) was also a passionate painter and draughtsman whose visual work remained largely confidential during his lifetime. Fifteen drawings will be offered in our sale, with additional works featured in our online auction. In the catalogue dedicated to international art before 1900, we present part of the Neumann Collection, assembled by Vera Neumann and Lotar Neumann. Originally from the Czech Republic, the couple settled in Switzerland in 1960 and became owners of the Château de Gingins (canton of Vaud), building a remarkable collection initially focused on Old Masters, and later on Art Nouveau and Symbolism. Among the key works offered is Portrait d’un prélat (estimate: CHF 80,000–120,000) by Corneille de Lyon, known in his time as Corneille de La Haye, in reference to his native city. He was one of the most important painters of the French Renaissance, executing small-format portraits depicting his sitters in bust against coloured backgrounds typically green, as seen here. Crowned in 1547, Henri II appointed Corneille as his official painter and granted him naturalisation in recognition of his services. The collection also features a selection of works by Eugène Grasset (1845–1917), one of the pioneers of Art Nouveau, as well as a superb vase and a magnificent lamp by Émile Gallé (1846–1904), master glassmaker and eminent representative of the movement. Notably, this section also includes ten engravings by the German master Albrecht Dürer (1471–1528) and a group of 18th-century miniatures small-scale paintings typically devoted to portraiture. A third catalogue is dedicated to collectible timepieces for the third edition of the Basel Watch Auction. The sale will feature 28 lots and will particularly spotlight the house of Patek Philippe, the last independent Geneva watch manufacture still family-owned. Among the 12 exceptional Patek Philippe watches, the Beyer No. 17, Ref. 3940 (estimate: CHF 200,000–400,000) commands particular attention. This 18-carat yellow gold automatic wristwatch, equipped with a perpetual calendar and moon phases, was created to celebrate the 225th anniversary of the retailer Beyer in Zurich. Reference 3940, produced from 1985 to 2007, is considered a major milestone in complicated watchmaking. The first 25 examples were specially created for the occasion, featuring personalised numbered dials: numbers 1 to 15 display a German calendar, while numbers 16 to 25 feature an English calendar. The example presented here, No. 17, belongs to the group of 10 pieces with English calendar and represents an exceptional collector’s piece. Patek Philippe “Beyer No. 17” Cuno Amiet 1868 -1961 Verschneiter Obstbaum, 1910 Cuno Amiet 1868 - 1961 Winter in den Bergen, 1913 Corneille de Lyon um 1500 - 1575, eigtl. Corneille de la Haye Félix Vallotton 1865 - 1925 Les Alyscamps, soleil matin, 1920 Exhibitions Zurich (selected works), Kirchgasse 33 Friday, February 27, 3pm 7pm Saturday, February 28, 11am 4pm Geneva (selected works), 28 rue de Saint-Léger Tuesday, March 3, 11am 6pm Wednesday, March 4, 10am 1pm Basel, Schwarzwaldallee 171 Thursday, March 5 to Sunday, March 8, 2026 Daily, 10am 5pm Auctions Wednesday, March 11, 2026 From 11am: Swiss art and international art before 1900 From 2pm: Swiss art From 5pm: Basel Watch Auction ONLINE ONLY SALES March 4 19, 2026 Swiss Art International Art before 1900 Jewellery Artcurial SwissArt BaselWatchAuction FineArt WatchCollectors LuxuryAuction PatekPhilippe LuxeMagazineSwitzerland

White Glove Success: The Estate of Joanna Carson Auction Achieves $1.7 Million at Moran’s March 10, 2026 John Moran Auctioneers Jennifer Kurtz, Head of Sale  j.kurtz@johnmoran.com Questions and Comments: 626.628.9341 Brenda Smith and Nathan Martinez brenda@johnmoran.com and nathan@johnmoran.com White Glove Success: The Estate of Joanna Carson Auction Achieves $1.7 Million at Moran’s Tues., March 3 rd , 2026 | 10:00am PDT     The exceptional results of their recent white glove auction, The Estate of Joanna Carson, a landmark sale presenting more than 400 exceptional lots from the collection of a noted arts patron and philanthropic leader. Held on Tuesday, March 3, 2026, the carefully curated auction attracted significant attention both domestically and internationally, with thousands of bidders participating and driving the sale to an outstanding 100% sell-through rate with total sales exceeding 1.7 million dollars. The auction featured fresh-to-market works of fine and decorative art, furniture, luxury items, and fine jewelry by celebrated artists and makers, including Claude Lalanne, Max Ernst, Rufino Tamayo, and Diego Rivera, alongside exceptional pieces by Cartier, Van Cleef & Arpels, David Webb, and Royal Copenhagen. Leading the fine art category was a gilt bronze work by French surrealist artist Claude Lalanne. Lot 225 was Lalanne’s Pomme Bouche, designed in 1975 and executed circa 1980, which sold for $69,850*. Additional highlights included Lot 291, Max Ernst’s Janus, cast in verdigris-patinated bronze, realizing $50,800*; Lot 254, Rufino Tamayo’s Galaxia, a 1977 mixografía, which brought $22,440*; and Lot 183, titled, Hawaiian Hula Ceremony, was by the Northern California artist Frank Marvin Blasingame. The large oil on canvas (measuring 72 x 48 inches) was one of two known compositions by Blasingame and achieved an impressive winning bid of $20,320*. Selling for $7,620* was Lot 256, Diego Rivera’s drawing Lavandera del Río Juchitán, created circa 1922–28. This work was a study from his sketchbook relating to two oil paintings Rivera painted in 1928: "Lavanderas con zopilotes" and "Woman Washing Clothes in a River Among Buzzards.". [PHOTO 1] [PHOTO 2] [PHOTO 3] The jewelry offerings attracted strong interest, with competitive bidding for pieces by top makers. Cartier highlights were led by Lot 79, an Oscar Heyman and Brothers for Cartier diamond necklace from 1977, designed in a graceful draping V shape and set with 69 graduated pear-shaped diamonds weighing approximately 22.15 carats, which achieved $53,975*. Pieces by Van Cleef & Arpels also performed exceptionally well, including Lot 59, a gem-set and diamond brooch from 1971 featuring a flowing floral design centered with emerald, ruby, and sapphire cabochons and accented by bursts of graduated round diamonds weighing approximately 10.35 carats, which sold for $47,625*, while Lot 78, a turquoise and diamond ring, brought $26,670*. David Webb’s designs likewise generated steady interest from bidders throughout the sale, led by Lot 117, an 18K gold collar necklace that realized $34,925*, and Lot 29, a diamond butterfly brooch, which sold for $19,800*. [PHOTO 4] [PHOTO 5][PHOTO 6] Among the decorative pieces, the 19 lots of Royal Copenhagen ‘Flora Danica’ porcelain was most sought after, bringing in a grand total of $135,759*. Lots 402-420 presented 166 pieces from this collection including reticulated dinner plates and platters, soup bowls, teacups and saucers, serving and dinner plates, dessert plates, pickle dishes, salad plates, and more, with estimates ranging from $400-7,000. The top lot, Lot 409, was a set of fourteen Royal Copenhagen porcelain ‘Flora Danica’ dinner plates. Estimated at $4,000–6,000, the set sold for $27,170*. Other tableware highlights include Lot 199, a 151- piece Puiforcat sterling silver ‘Royal’ flatware service, which sold for $31,750*, and Lot 289, a set of twelve Hayes & McFarland sterling silver ‘Harewood’ dinner plates brought in $19,050*. [PHOTO 7] Collectors also took interest in four lots by Jean Cocteau, the French artist who played a role in Surrealism, Dada, and Cubism. Lots 227-230 featured terracotta chargers and a vase he produced in 1958, achieving an aggregate total of 28,257. Steuben glass paperweightsgarnered noteworthy attention, with two ‘Partridge in a Pear Tree,’ a ‘Mouse & Cheese’, and a ‘Unicorn’ paperweight, together bringing in $24,130. [PHOTO 8] Joanna Carson was a former model, philanthropist, and Broadway producer known as much for her generosity as her public profile. Born Johanna Ulrich in New York, she was a successful fashion model before marrying The Tonight Show host Johnny Carson in 1972. Over five decades, she devoted herself to philanthropy, helping establish the Women’s Rape Treatment Center, supporting children with disabilities through SHARE, and working with the Elizabeth Taylor AIDS Foundation, ultimately directing nearly $200 million to charitable causes. Proceeds from The Estate of Joanna Carson auction will benefit Cedars Sinai Medical Center, the David Geffen Foundation, and the Cher Foundation, continuing her legacy of giving. [PHOTO9] To see the full sale results go to www.johnmoran.com. Includes buyer’s premium.   Brenda Smith, John Moran Auctioneers      Lot 225: Claude Lalanne (1925-2019), "Pomme Bouche," designed 1975, executed circa 1980. Sold: $69,850 Lot 183: Frank Marvin Blasingame (1903-1967), "Hawaiian Hula Ceremony.” Sold: $20,320 Lot 256: Diego Rivera (1886-1957), “Lavandera del Río Juchitán,” circa 1922-28. Sold: $7,620 Lot 79: Oscar Heyman & Brothers for Cartier: An 18K Gold, Platinum, and Diamond Necklace, 1977. Sold: $53,975 Lot 59: Van Cleef & Arpels: An 18K Gold, Gem-Set and Diamond Brooch, 1971. Sold: $47,625 Lot 78: Van Cleef & Arpels: An 18K Gold, Turquoise and Diamond Ring. Sold: $26,670 Lot 409: A set of fourteen Royal Copenhagen porcelain 'Flora Danica' dinner plates. Sold: $27,170 Lot 227: Jean Cocteau (1889-1963), "Quatre-profils," 1958. Sold: $8,890 Joanna Carson, former model, philanthropist, and Broadway producer. Image provided by John Moran Auction Upcoming Auctions    John Moran Auctioneers is continuing their 2026 lineup with the Art + Design sale, Tuesday, March 24 th , 2026, followed by Art of the American West auction, April 7 th , 2026. Be sure to mark your calendars for these upcoming auctions so you don’t miss out on the action, and the treasures! Art + Design: Tuesday, March 24 th | 10:00 am PT Art of the American West: Tuesday, April 7 th | 12:00 pm PT Jewelry & Watches: Tuesday, April 21 st | 10:00 am PT California & American Fine Art: Tuesday, May 5 th | 12:00 pm PT ReDesigned: Tuesday, May 19 th | 10:00 am PT The Traditional Collector: Tuesday, June 2 nd | 10:00 am PT For upcoming highlights, online catalogues, and more information on these sales, visit Moran's website: www.johnmoran.com and follow us on social media: @johnmoran_auctioneers. Along with our website, bidding is now available online via Moran's new mobile app, Moran Mobile, available on both iOS and Android operating systems. You may also choose to bid by phone or absentee.        Consignments are always welcome:      Email us at info@johnmoran.com today!     Luxe Magazine Switzerland

Aperol Snowcat: Where Alpine Chic Meets the Art of Aperitivo From sun-kissed piazzas to snow-dusted summits, Aperol proves that the spirit of the Italian aperitivo knows no season. This winter, the iconic orange signature drink brings its unmistakable glow to the Swiss Alps, transforming the slopes into vibrant social hubs where music, mountains, and conviviality converge. Fresh from the peaks myself, the experience feels less like a pop-up and more like a moving alpine ritual one that blends après-ski culture, electronic music, and the timeless Italian art of living. When the Slopes Turn Orange For its second consecutive winter, the Aperol Snowcat cruises through Switzerland’s most prestigious ski destinations, from Villars-sur-Ollon to Arosa-Lenzerheide and the legendary 4 Vallées ski area. Against the white alpine backdrop, the mobile bar appears like a glowing beacon an invitation to pause, gather, and celebrate the moment. By day, from Monday to Thursday, the atmosphere leans toward refined relaxation: lounge music drifts across the snow, deck chairs invite skiers to unwind, and the Aperol Spritz flows effortlessly in hand. As the weekend arrives, the energy rises. From Friday through Sunday, the Snowcat transforms into a high-altitude après-ski stage. Live DJ sets, laser effects, and playful bubble shows create an effervescent mountain scene that feels both exclusive and joyfully spontaneous. Key Snowcat Dates in the Swiss Alps Villars-sur-Ollon Roc d’Orsay February 13–15, 2026 February 19–22, 2026 Lenzerheide Crest’ota February 27 - March 1, 2026 Lenzerheide - Goldgräber Bar February 28, 2026 Arosa - AlpArosa March 6–8, 2026 Arosa - Carmennahütte March 13–15, 2026 The Winter Festival Chapter What Aperol perfected during summer festival season now finds a sophisticated winter expression. Carefully curated music events elevate the Snowcat experience, pairing electronic beats with panoramic alpine views. In March 2026, the activation lands at the Arosa Electronica Festival, where the Grisons mountains become a magnet for electronic music lovers. The Aperol Snowcat will host convivial gathering moments at: March 19 Isblaatere March 20 Sithütte March 21 Isblaatere The season culminates in April at Nendaz Snow Vibes (4 Vallées), where, at over 2,200 meters altitude, ski slopes transform into an open-air dancefloor. International electro and techno artists set the tone while Aperol’s signature serve marks a festive and flavorful end to the winter season. Beyond the Snowcat: The Aperol Alpine Circuit The experience extends well beyond the mobile bar. This winter, Aperol activates 26 premium outlets across Villars-sur-Ollon, Arosa-Lenzerheide, Verbier, Davos, St. Moritz, and Zermatt reinforcing its presence within Switzerland’s luxury ski and après-ski landscape. From slope-side stops to stylish village venues, guests can enjoy refreshing Aperol Spritz moments accompanied by curated DJ sets from the Spritz Music Sessions, where music and mixology meet at altitude. Villars-sur-Ollon outlets include: Le P’tit Chalet · Mamma Lotta’s · Charlie’s Bar · 105 Moon Boot Lounge · Roc Star · El Gringo · Peppino · Buvette L’Arrivée · Refuge de Frience · Maison de Montagne · Rocco Cantina Italiana Arosa-Lenzerheide outlets include: Strandbad Restaurant · Provisorium13 · Hotel Prätschli · Stüva · AlpArosa · Carmennahütte · Mottahütte · Goldgräber Bar · Crest’ota The Enduring Allure of Aperol Created in 1919 by brothers Luigi and Silvio Barbieri, Aperol has evolved from an Italian classic into a global aperitivo icon. Its cult-status serve the Aperol Spritz (3 parts Prosecco, 2 parts Aperol, 1 part soda) continues to define contemporary social drinking, from Venetian terraces to the Swiss alpine après-ski scene. This winter, the brand once again demonstrates its mastery of atmosphere: wherever the Snowcat stops, a fleeting moment becomes a shared memory. Please enjoy Aperol responsibly. AperolSnowcat SwissAlpsExperience LuxuryApresSki AperolSpritz WinterInSwitzerland AlpineLifestyle ArosaLenzerheide VillarsSurOllon NendazSnowVibes LuxuryTravelMagazine

Paris Fashion Week 2026: Where Heritage and Modernity Converge in the New Language of Couture and Craft Paris the city that invented haute couture has once again proven that fashion is more than clothing. In March 2026, during the Autumn/Winter cycle of Paris Fashion Week (PFW), the runways functioned as narrative arenas where culture, history, emotion, and innovation collided. Beyond mere trends, this season offered a cultural manifesto for luxury fashion’s next chapter shaped by heritage houses, evolving creative voices, and an unmistakable dose of social commentary that signals not only what we will wear, but how we will want to be seen. This was not a week of superficial spectacle. It was a consciously curated dialogue between tradition and transformation a tapestry of emotional expression rooted in craft, identity, and cultural context. The Return of Substance Over Showmanship 2026’s Paris Fashion Week emphasized depth over dazzle. After years of ever-escalating theatrics and spectacle, designers pivoted toward precision, authenticity, and intentional storytelling. Core themes emerged: a redefined femininity, meticulous tailoring, experimental texture, and an embrace of contrasts all wrapped in designs that feel deliberate, not disposable. As industry observers noted, this is fashion that speaks through its structural intelligence, not just its visual appeal. Heritage Houses Remastering Their Legacy At the heart of PFW’s cultural pulse were the great maisons Saint Laurent, Dior, Balenciaga, Givenchy, and Courrèges each navigating their historical codes while retooling them for 2026’s cultural moment. Saint Laurent revisited one of fashion’s most iconic garments the women’s tuxedo. Anthony Vaccarello’s collection married structured power suits with delicate lace a symbolic juxtaposition of authority and vulnerability. The result was not merely a nod to Yves Saint Laurent’s legacy, but a reframing of it for women navigating dynamic roles in society today. Across the Seine at Dior, creative director Jonathan Anderson staged a show set literally within nature at the Jardin des Tuileries, water lilies and greenhouse glass framing garments that blended botanical romance with couture precision. This integration of environment and fashion created a narrative that felt resoundingly alive couture as evolving ecosystem rather than static art object. Meanwhile, Balenciaga’s collection shaped by Pierpaolo Piccioli and influenced by HBO’s Euphoria fused youth culture with architectural rigor. The immersive presentation, heavy with mood and aesthetic dualities of “light through darkness,” appealed not just to the eyes but to the pulse of a generation. Texture, Craft, and the Bold Shelter of Material Intelligence PFW 2026 rediscovered material truth. Designers across the spectrum explored texture not as ornamentation but as a core expressive device. Leather was reinvented with sculptural precision; fringe and layered organza lent garments a kinetic energy rarely seen in recent seasons. The work of houses like Loewe illustrated this beautifully inflatable channels, experimental shearling textures, and latex fused through 3D forms suggested a future where technique and imagination are inseparable. From wearable minimalism at Courrèges where sleek coats and vinyl pleats offered sophisticated restraint to Isabel Marant’s urban energy captured through denim and movement-ready silhouettes, the week underscored that material intelligence now governs luxury fashion. Star Power Meets Cultural Gravity Beyond clothes alone, PFW continues to be tethered to cultural gravity where celebrity presence and media influence funnel international attention and shape fashion’s public discourse. From red carpet icons to models and music industry tastemakers, the global gaze was fixed on Paris as both a cultural crucible and creative barometer. This intersection of celebrity visibility and haute couture reinforces an evolving truth: fashion’s impact extends beyond seasonal retail cycles it affects cultural narratives, public imagination, and even social identity. Couture as Intellect, Not Ornament More than collections, this season’s couture showcased intellectual rigour and emotional exteriority. Each garment told a story: about empowerment, about memory, about the individual’s place within tradition and the future. This was fashion not as decoration but as language one that converses with art, history, and society itself. The New Luxury is Intentional If Paris Fashion Week 2026 taught us anything, it’s that the new luxury isn’t ephemeral. It’s intentional, layered, meaningful, and reflective. Across silhouettes, materials, and presentations, designers resisted the urge to chase novelty for its own sake, choosing instead to craft garments that resonate with our collective moments and memories. This season didn’t just show clothes it asked questions: What does richness of experience look like in a world where culture moves faster than ever? How can beauty be both functional and emotive? And in a digital era, how does fashion anchor itself to something deeply human? And Paris, always poetic, offered the first articulate answers of 2026 through design, craft, and an unwavering belief that luxury must be felt as much as it is seen. ParisFashionWeek2026 LuxuryFashionAnalysis CoutureCulture FashionNarrative HauteCraftsmanship